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DTSTART;TZID=America/Chicago:20251130T133000
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DTSTAMP:20251015T205219Z
CREATED:20251015T205214Z
LAST-MODIFIED:20251015T205219Z
UID:8391-1764509400-1764514800@arkadincinema.com
SUMMARY:A man investigates his own murder in... D.O.A. (1950) -- $3
DESCRIPTION:BUY TICKETS\n\n\n\n\n\n\n\n\n\n\n“A breakneck\, almost berserk spin on the classic detective yarn” – Eddie Muller\, host of TCM’s Noir Alley \n\n\n\nHow’s this for a premise?: A mysterious stranger pours a toxin into a man’s drink\, and now the man has only a week to find his murderer before the poison kills him. That’s the basis for this frenzied film noir classic starring Edmond O’Brien (whom you might recognize from The Hitch-Hiker\, also screening this month at Arkadin) as hapless accountant Frank Bigelow\, who is unwittingly embroiled in a complex web of intrigue as he races to save his own life. Bigelow embarks on a lurid odyssey of double-dealing\, betrayal and murder that begins with “one of cinema’s most innovative opening sequences” (BBC) and leads to a nightmarish climax. Preserved by the National Film Registry\, this brooding\, paranoid classic is powered by O’Brien’s fevered\, nearly unhinged\, performance as well as director Rudolph Maté’s shadowy direction. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTheater Policies\n\n\n\n\n\n\nAll seats are first-come\, first-served.\n\n\n\nThe theater opens 30 minutes prior to showtime\, except for “Happy Hour” events and pre-shows when the theater opens at the listed start time.\n\n\n\nWhen a screening is sold out\, we open a waitlist 30 minutes before showtime. You must physically come to the lobby to get your name on the waitlist. Seats are released as they become available. All remaining seats are released at showtime.\n\n\n\nAll ages are welcome at Arkadin except for Drinkolas Cage events\, which are restricted to 21+. We follow the MPAA rating guidelines for all other films.\n\n\n\nTickets can be purchased using the BUY TICKETS link above. Upon ordering\, you will receive a confirmation email from Square. Tickets may also be purchased on the day of the show at the concession counter.\n\n\n\nIf you’ve purchased advance tickets\, when you arrive\, please give your name at the concession counter to check in. \n\n\n\nTickets are returnable by sending a request through the contact form located on our About Us page prior to showtime.\n\n\n\nWhen an event is sold out\, we reserve the right to release open seats to customers on the waitlist. If you have a pre-purchased ticket and arrive late and there is no seat for you\, your ticket will be refunded.\n\n\n\nAll screenings are held in our indoor theater unless indicated otherwise in the event description above.\n\n\n\nPlease respect your fellow movie-goers by remaining quiet and refraining from using your cell phone throughout the screening.
URL:https://arkadincinema.com/event/a-man-investigates-his-own-murder-in-d-o-a-1950-3/
CATEGORIES:NOIRvember
ATTACH;FMTTYPE=image/webp:https://arkadincinema.com/wp-content/uploads/2025/10/PRE-SHOW-SLIDES-2025-10-13T192110.651.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251123T150000
DTEND;TZID=America/Chicago:20251123T170000
DTSTAMP:20251014T174416Z
CREATED:20251014T174309Z
LAST-MODIFIED:20251014T174416Z
UID:8365-1763910000-1763917200@arkadincinema.com
SUMMARY:Fritz Lang's nightmarish noir SCARLET STREET (1945) -- $3
DESCRIPTION:BUY TICKETS\n\n\n\n\n\n\n\n\n\n\n“ONE OF THE 25 GREATEST NOIRS OF ALL TIME! Deeply perverse\, and immensely enjoyable for the ways writer Dudley Nichols and Fritz Lang run circles around the Production Code.” – Eddie Muller\, host of TCM’s Noir Alley \n\n\n\nA psychologically complex melodrama written in glistening black-and-white\, SCARLET STREET finds one of cinema’s great poets of doom at his fatalistic peak. Having struck gold with 1944’s The Woman in the Window\, Lang reassembled that film’s dynamite leads\, Edward G. Robinson\, Joan Bennett\, and Dan Duryea\, again the following year for SCARLET STREET. The quartet knocked another one out of the park\, producing a film noir so potent it was banned in Atlanta\, Milwaukee\, and the entire state of New York. Robinson stars as Chris Cross\, a lonely and unhappily married clerk who falls for a brassy prostitute (Bennett)\, not realizing that she’s in love with her pimp (Duryea) and that the pair are milking him for whatever cash he can earn or steal. The atmosphere is thick with all the guilt\, paranoia\, and cynicism you’d expect from the man who gave us M\, and it all leads toward one of the most nightmarish dénouements in noir history.
URL:https://arkadincinema.com/event/fritz-langs-nightmarish-noir-scarlet-street-1945-3/
CATEGORIES:NOIRvember
ATTACH;FMTTYPE=image/webp:https://arkadincinema.com/wp-content/uploads/2025/10/67.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251109T130000
DTEND;TZID=America/Chicago:20251109T143000
DTSTAMP:20251010T162718Z
CREATED:20251010T162502Z
LAST-MODIFIED:20251010T162718Z
UID:8322-1762693200-1762698600@arkadincinema.com
SUMMARY:Ida Lupino's gripping noir classic THE HITCH-HIKER (1953)
DESCRIPTION:BUY TICKETS\n\n\n\n\n\n\n\n\n\n\n“Absolutely assured in her creation of the bleak\, noir atmosphere – whether in the claustrophobic confines of the car\, or lost in the arid expanses of the desert – Lupino never relaxes the tension for one moment… Taut\, tough\, and entirely without macho-glorification\, it’s a gem\, with first-class performances from its three protagonists\, deftly characterised without resort to cliché.” – Time Out Film Guide \n\n\n\nAn A-List actress-turned-independent writer\, producer\, and director\, Ida Lupino is one of the few female filmmakers to have worked in 1950s Hollywood. But her films are not just “famous firsts” — they’re tough\, raw\, sensitive and totally fresh. Unlike anything else being made at the time\, Lupino’s directorial efforts “represent”—as no less an authority than Martin Scorsese put it—”a singular achievement in American cinema.” And there’s no better example of Lupino’s muscular work than her legendary noir-thriller\, THE HITCH-HIKER. Based on true events\, the film takes us on the vacation from hell\, as businessmen Edmond O’Brien and Frank Lovejoy\, on their way to do some fishing\, pick up the wrong guy: psychopath William Talman. A major influence on films like The Hitcher\, THE HITCH-HIKER is a “tension-packed tour de force” (Ronnie Scheib). No wonder it was Lupino’s personal favorite of her films. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nTheater Policies\n\n\n\n\n\n\nAll seats are first-come\, first-served.\n\n\n\nThe theater opens 30 minutes prior to showtime\, except for “Happy Hour” events and pre-shows when the theater opens at the listed start time.\n\n\n\nWhen a screening is sold out\, we open a waitlist 30 minutes before showtime. You must physically come to the lobby to get your name on the waitlist. Seats are released as they become available. All remaining seats are released at showtime.\n\n\n\nAll ages are welcome at Arkadin except for Drinkolas Cage events\, which are restricted to 21+. We follow the MPAA rating guidelines for all other films.\n\n\n\nTickets can be purchased using the BUY TICKETS link above. Upon ordering\, you will receive a confirmation email from Square. Tickets may also be purchased on the day of the show at the concession counter.\n\n\n\nIf you’ve purchased advance tickets\, when you arrive\, please give your name at the concession counter to check in. \n\n\n\nTickets are returnable by sending a request through the contact form located on our About Us page prior to showtime.\n\n\n\nWhen an event is sold out\, we reserve the right to release open seats to customers on the waitlist. If you have a pre-purchased ticket and arrive late and there is no seat for you\, your ticket will be refunded.\n\n\n\nAll screenings are held in our indoor theater unless indicated otherwise in the event description above.\n\n\n\nPlease respect your fellow movie-goers by remaining quiet and refraining from using your cell phone throughout the screening.
URL:https://arkadincinema.com/event/ida-lupinos-gripping-noir-classic-the-hitch-hiker-1953/
CATEGORIES:NOIRvember
ATTACH;FMTTYPE=image/webp:https://arkadincinema.com/wp-content/uploads/2025/10/60.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251102T150000
DTEND;TZID=America/Chicago:20251102T170000
DTSTAMP:20251008T220041Z
CREATED:20251008T215845Z
LAST-MODIFIED:20251008T220041Z
UID:8296-1762095600-1762102800@arkadincinema.com
SUMMARY:Orson Welles' anti-fascist noir THE STRANGER (1946) w/ anti-Nazi cartoons pre-show @ 2:30 pm
DESCRIPTION:BUY TICKETS\n\n\n\n\n\n\n\n\n\n\n“Welles’s feverish\, politically uneasy noir remains an outstanding achievement…. Released a little over a year after the cessation of fighting between the Allied Forces and Germany\, The Stranger offers haunting insight into the fascist mind and never shies away from the reality that the National Socialist party was fascism’s most successful and devastating incarnate but certainly not its last.” – Slant Magazine \n\n\n\nOrson Welles’ only true-blue box office success as a director has\, paradoxically\, remained one of the most under-seen and under-discussed entries in his oeuvre. But as the tides of Trumpian fascism wash over America\, there’s no better time to (re)discover this searing thriller\, a gripping noir thriller that doubles as an indictment of Nazi criminality and American complicity. Edward G. Robinson\, an anti-fascist in his own life\, plays a UN war crimes investigator tracking high-ranking Nazi fugitive Franz Kindler (Orson Welles)\, who’s taken refuge at a small Connecticut prep school. Anticipating the stories of Nazi officials recruited to the US under Operation Paperclip\, THE STRANGER is perhaps Welles’ most nakedly political work\, eschewing the stylistic swagger of his best-known masterpieces in favor of a blunt paranoia that reflects the post-War cynicism among many Americans that while the Allies may have won the War\, the hideous allure of fascism had not been fully defeated.  \n\n\n\nCome out early for a pre-show of anti-Nazi cartoons starting at 2:30 pm! \n\n\n\n\n\n\n\n\n\n\n\n\n\nArkadin does not generally provide advisories about subject matter or potentially triggering content in films\, as sensitivities vary from person to person. However\, we encourage researching titles to determine if a screening may contain content that could be upsetting to you. Please feel free to contact us for guidance on specific films. Information about content can also be found on Common Sense Media\, IMDB and DoesTheDogDie.com\, as well as through general internet searches. \n\n\n\n\n\n\n\n\nTheater Policies\n\n\n\n\n\n\nAll seats are first-come\, first-served.\n\n\n\nThe theater opens 30 minutes prior to showtime\, except for “Happy Hour” events and pre-shows when the theater opens at the listed start time.\n\n\n\nWhen a screening is sold out\, we open a waitlist 30 minutes before showtime. You must physically come to the lobby to get your name on the waitlist. Seats are released as they become available. All remaining seats are released at showtime.\n\n\n\nAll ages are welcome at Arkadin except for Drinkolas Cage events\, which are restricted to 21+. We follow the MPAA rating guidelines for all other films.\n\n\n\nTickets can be purchased using the BUY TICKETS link above. Upon ordering\, you will receive a confirmation email from Square. Tickets may also be purchased on the day of the show at the concession counter.\n\n\n\nIf you’ve purchased advance tickets\, when you arrive\, please give your name at the concession counter to check in. \n\n\n\nTickets are returnable by sending a request through the contact form located on our About Us page prior to showtime.\n\n\n\nWhen an event is sold out\, we reserve the right to release open seats to customers on the waitlist. If you have a pre-purchased ticket and arrive late and there is no seat for you\, your ticket will be refunded.\n\n\n\nAll screenings are held in our indoor theater unless indicated otherwise in the event description above.\n\n\n\nPlease respect your fellow movie-goers by remaining quiet and refraining from using your cell phone throughout the screening.
URL:https://arkadincinema.com/event/orson-welles-anti-fascist-noir-the-stranger-1946-w-anti-nazi-cartoons-pre-show-230-pm/
CATEGORIES:NOIRvember
ATTACH;FMTTYPE=image/webp:https://arkadincinema.com/wp-content/uploads/2025/10/53.webp
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