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BEVO ZOMBIE CRAWL with NIGHT OF THE LIVING DEAD (Outdoors) + NIGHTMARE CITY (Indoors)

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BEVO ZOMBIE CRAWL with NIGHT OF THE LIVING DEAD (Outdoors) + NIGHTMARE CITY (Indoors)

October 27, 2023 : 8:00 pm 11:30 pm

$5 or FREE if you dress like a zombie

Creep through Bevo at the second annual Bevo Zombie Walk! So get in costume and join us for a scary good time.

We’ll be visiting several Bevo businesses throughout the evening culminating with several entertainment options for the post-crawl-party!

End up at the Arkadin for simultaneous movie screenings at 8:30 pm — George Romero’s ultimate zombie classic NIGHT OF THE LIVING DEAD outdoors and Umberto Lenzi’s feral Italo-zombie horror NIGHTMARE CITY (a.k.a. City of the Walking Dead) in our indoor theater.

Free admission if you dress like a zombie, but seats are limited! Ticketholders are guaranteed a seat but must arrive by 8:30pm!

ZOMBIE CRAWL SCHEDULE
5:00 pm – Little Bevo
6:00 pm – Das Bevo Biergarten
7:00 pm – Tim’s Chrome Bar
8:00 pm – Head to Arkadin (for a movie), The Heavy Anchor (for a concert), or Little Bevo (for karaoke)
8:30 pm – NIGHTMARE CITY showing in our indoor theater and NIGHT OF THE LIVING DEAD outdoors on the backlot. Zombies get in free! Third Wheel Brewing prize pack for the best zombie costume.

Venues will feature special creepy cocktails and face painting to help you achieve your ultimate zombie look!

NIGHTMARE CITY (aka CITY OF THE WALKING DEAD)

The zombies are fast, wield weapons, and look kind of like the Toxic Avenger in NIGHTMARE CITY, a blood-drenched zombie-apocalypse scorcher from prolific Italian sleaze-maestro Umberto Lenzi (Cannibal Ferox, Nightmare Beach). Hugo Stiglitz stars as Miller, a reporter on the run from murderous zombie hordes who attack with knives and utter ferocity. When Miller tries to notify the citizens that these monsters are on the loose, he is rudely stopped by a nasty general (Mel Ferrer) who doesn’t want to make the public unnecessarily hysterical. Peppered with anti-nuclear and anti-militarist sentiment, NIGHTMARE CITY is, more than anything, a showcase of flesh ripping, chest stabbing, and gratuitous female nudity. As usual for a Lenzi film, NIGHTMARE CITY may not exactly be sophisticated but it sure as hell is a damn good time.

NIGHT OF THE LIVING DEAD

When George A. Romero, a Pittsburgh-based director of TV commercials and industrial films, persuaded a few buddies to pitch in some money for a case of film stock so that he could shoot a zombie movie on the weekends, he had no idea that he would forever change the American horror movie. With his first effort, Romero shattered the rules of the horror genre; Night of the Living Dead retained many of the iconic elements of the traditional horror movie, but without the emotional buffering of most films that preceded it. In this film, the good guys didn’t win, the monsters became only more powerful, the authority figures protecting us were both dangerous and inept, the source of the contagion was both unexplained and unstoppable, and, as friends and families were pitted against each other, no one got away unscathed. The early films of Herschell Gordon Lewis predated it in putting graphic gore on screen, but while Blood Feast and Two Thousand Maniacs seemed almost comical in their candy-colored carnage, Night‘s stark black-and-white images of zombies feeding on their human victims possessed a blunt and troubling realism that broke new, stomach-churning ground. And while Night‘s political allegories are more subtle than those of such later Romero films as The Crazies and Dawn of the Dead, its open distrust of authority and depiction of society on the verge of collapse certainly mark it as a film of the Vietnam era; the grim fate of Duane Jones, the film’s sole heroic figure and only African-American, had added resonance with the assassinations of Martin Luther King and Malcolm X fresh in the minds of most Americans. At a time when most horror movies took the tack that fear could be fun, Night of the Living Dead offered terror without a spoonful of sugar, and the genre would never be the same again.

THEATER POLICIES

All seats are first-come, first-served.

The theater opens 30 minutes prior to showtime, except for “Happy Hour” events and pre-shows when the theater opens at the listed start time.

All ages are welcome at Arkadin except for Drinkolas Cage events, which are restricted to 21+. We follow the MPAA rating guidelines for all other films.

Tickets can be purchased using the BUY TICKETS link above. Upon ordering, you will receive a confirmation email from Square. Tickets may also be purchased on the day of the show at the concession counter.

If you’ve purchased advance tickets, when you arrive, please give your name at the concession counter to check in.

Tickets are returnable by sending a request through the contact form located on our About Us page prior to showtime.

When an event is sold out, we reserve the right to release open seats to customers on the waitlist. If you have a pre-purchased ticket and arrive late and there is no seat for you, your ticket will be refunded.

All screenings are held in our indoor theater unless indicated otherwise in the event description above.

Please respect your fellow movie-goers by remaining quiet and refraining from using your cell phone throughout the screening.