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IT DOESN’T GET ANY BETTER THAN THIS — back by popular demand!

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IT DOESN’T GET ANY BETTER THAN THIS — back by popular demand!

December 15 : 5:45 pm 7:30 pm

BACK BY POPULAR DEMAND! Winner of Best Feature at Salem Horror Fest and an official selection of Midnight Madness at Toronto International Film Festival, this unique found-footage horror film was made in Missouri and will never be on streaming. Filmmakers Nick Toti and Rachel Kempf will introduce the film.

Nick Toti and Rachel Kempf live and breathe horror movies. So when the couple begin to observe that the dilapidated duplex they just bought exhibits all the telltale signs of having a haunted history, they can barely believe their luck.

While most new homeowners would blanch at the sight of walls strewn with satanic graffiti, a basement littered with seemingly cursed objects, and more doors torn from their hinges than there are door frames, Nick and Rachel are gleefully inspired to conduct and document a seance within their abnormal abode. Even eerier, their Missouri manor begins to attract enigmatic, entranced strangers who creepily convene on the front lawn in increasing numbers with every passing day. Things only get weirder and scarier from there.

What sets this found-footage horror apart from other indies of its ilk is its remarkable verisimilitude. Utilizing two decades of archival footage that detail Nick and Rachel’s real-life relationship, the divide between documentary and nightmare blurs throughout as the encroaching supernatural phenomena is contrasted with the genuine vulnerability of its subjects.

The infectious camaraderie among these ghost hunters, who include Christian, Rachel’s true-life bestie, rings as authentic as the fear that Nick captures with his obsessive, voyeuristic camerawork. Already amassing acclaim on the festival circuit as one of the scariest films of its sub-genre since The Blair Witch Project, this doom-laden diary, which the filmmakers claim will never be exhibited outside a movie theatre, lives up to its deeply sardonic title.

This film is screening as part of Arkadin’s December-long series, IN THE BLEAK MIDWINTER, spotlighting films that show winter in all its dark, desolate beauty.

Arkadin does not generally provide advisories about subject matter or potentially triggering content in films, as sensitivities vary from person to person. However, we encourage researching titles to determine if a screening may contain content that could be upsetting to you. Please feel free to contact us for guidance on specific films. Information about content can also be found on Common Sense Media, IMDB and DoesTheDogDie.com, as well as through general internet searches.

THEATER POLICIES

All seats are first-come, first-served.

The theater opens 30 minutes prior to showtime, except for “Happy Hour” events and pre-shows when the theater opens at the listed start time.

All ages are welcome at Arkadin except for Drinkolas Cage events, which are restricted to 21+. We follow the MPAA rating guidelines for all other films.

Tickets can be purchased using the BUY TICKETS link above. Upon ordering, you will receive a confirmation email from Square. Tickets may also be purchased on the day of the show at the concession counter.

If you’ve purchased advance tickets, when you arrive, please give your name at the concession counter to check in.

Tickets are returnable by sending a request through the contact form located on our About Us page prior to showtime.

When an event is sold out, we reserve the right to release open seats to customers on the waitlist. If you have a pre-purchased ticket and arrive late and there is no seat for you, your ticket will be refunded.

All screenings are held in our indoor theater unless indicated otherwise in the event description above.

Please respect your fellow movie-goers by remaining quiet and refraining from using your cell phone throughout the screening.