“ONE OF THE GREATEST HORROR FILMS OF ALL TIME … Pulse is the closest a film has come to fully capturing the paradoxical and deceptively empowering trap of online societies that allow you to indulge an illusion of socialization alone in the privacy of your own home. Kurosawa Kiyoshi’s ferocious act of despairing protest is also one of cinema’s most unnerving and suggestive ghost stories.” -Chuck Bowen, Slant Magazine

Kiyoshi Kurosawa grabbed worldwide attention with his 1997 masterpiece Cure, a horror film that was actually horrifying. Kurosawa showed that he’ has’d lost none of his abilities to scare with his follow-up, the techno-horror ghost story, Pulse. After college student Taguchi (Kenji Mizuhashi) commits suicide, a number of young adults living in Tokyo witness terrifying visions transferred across the Internet. As more people disappear throughout the city, the Internet becomes a breeding ground for malevolent spirits. Three seemingly disconnected stories follow Michi (Kumiko Aso), Ryosuke (Haruhiko Katô) and Harue (Koyuki) as they attempt to solve the mystery behind the ghostly visions that are seeping beyond their computer monitors. The first 30 minutes contain some of the most unnerving, frightening sequences of all time. And Kurosawa accomplishes this with admirable economy, using little dramatizing music or flash camera trickery. Computers, cell phones, and other forms of technology play a central role in this film. Unlike in some tech horror flicks, technology in this film is not an evil in itself. Rather the horror of Pulse comes from how this technology separates and divides humanity from itself. Photographed in browns and icy whites, Tokyo is portrayed as a city of lost and lonely souls bracing itself for impending doom. As the film progresses, it shifts gears from a straight-up horror flick into something weirder and more existential — as if Andrei Tarkovsky directed The Omega Man. Audacious and dazzling, Pulse is an astonishing work that cemented Kiyoshi Kurosawa as a master of 21st-century terror.

THEATER POLICIES

All seats are first-come, first-served.

The theater opens 30 minutes prior to showtime, except for “Happy Hour” events and pre-shows when the theater opens at the listed start time.

All ages are welcome at Arkadin except for Drinkolas Cage events, which are restricted to 21+. We follow the MPAA rating guidelines for all other films.

Tickets can be purchased using the BUY TICKETS link above. Upon ordering, you will receive a confirmation email from Square. Tickets may also be purchased on the day of the show at the concession counter.

If you’ve purchased advance tickets, when you arrive, please give your name at the concession counter to check in.

Tickets are returnable by sending a request through the contact form located on our About Us page prior to showtime.

When an event is sold out, we reserve the right to release open seats to customers on the waitlist. If you have a pre-purchased ticket and arrive late and there is no seat for you, your ticket will be refunded.

All screenings are held in our indoor theater unless indicated otherwise in the event description above.

Please respect your fellow movie-goers by remaining quiet and refraining from using your cell phone throughout the screening.