“Funny, sophomoric, brilliant, obscene, disjointed, marvelous, unintelligible and relevant. If anybody tries to improve it, they should be sentenced.” -Vincent Canby, The New York Times

Mad Men meets Mad Magazine meets complete and utter madness in PUTNEY SWOPE, Robert Downey Sr.’s riotous satire on race, advertising, the counterculture, the overculture and everything in between. When the chairman of a Madison Ave. ad firm dies, its executive board must elect someone to fill the position. Each member, unable to vote for himself, casts a secret ballot for Putney Swope (Arnold Johnson, dubbed over by Downey himself), the firm’s only black executive, assuming he wouldn’t receive any votes from the other members. Once in power, Swope makes radical changes to the firm — like keeping only one white employee and refusing to advertise harmful products — all under the firm’s new moniker, “Truth and Soul, Inc.” Downey peppers the film with outrageous, taboo-busting TV commercials which are strewn throughout the film like satirical landmines. Take for example, a musical ad for pimple cream that opens with a young man singing to his sweetheart the immortal couplet, “It started last weekend, at the Yale-Harvard game. Girl / I saw your beaver flash, and I’ll never be the same.”

Admired by Jim Jarmusch and Paul Thomas Anderson, the latter of whom dubbed him “one of our great American directors,” Downey was recently the subject of the documentary Sr., in which Downey’s superstar son paid tribute to his cult-filmmaker father. Though a quintessential product of the 1960s, Downey’s films remain peerless, fearless attacks on American culture, throwing haymakers all along the political spectrum. Putney Swope may well be the most incendiary work ever to be selected by the Library of Congress for preservation in the United States National Film Registry.

Courtesy of All Channel and the American Genre Film Archive. Putney Swope was restored by the Academy Film Archive and The Film Foundation, with funding provided by the Hobson/Lucas Family Foundation.

A pre-show featuring groovy ads of the 1960s precedes the film, starting at 6 pm.

This film is screening as part of Arkadin’s September-long series ENVELOPE PUSHERS, spotlighting extreme cinema, convention-flouting surrealism and radical comedies that push the boundaries of content, narrative and sometimes good taste.

Arkadin does not generally provide advisories about subject matter or potentially triggering content in films, as sensitivities vary from person to person. However, we encourage researching titles to determine if a screening may contain content that could be upsetting to you. Please feel free to contact us for guidance on specific films. Information about content can also be found on Common Sense Media, IMDB and DoesTheDogDie.com, as well as through general internet searches.

THEATER POLICIES

All seats are first-come, first-served.

The theater opens 30 minutes prior to showtime, except for “Happy Hour” events and pre-shows when the theater opens at the listed start time.

All ages are welcome at Arkadin except for Drinkolas Cage events, which are restricted to 21+. We follow the MPAA rating guidelines for all other films.

Tickets can be purchased using the BUY TICKETS link above. Upon ordering, you will receive a confirmation email from Square. Tickets may also be purchased on the day of the show at the concession counter.

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Tickets are returnable by sending a request through the contact form located on our About Us page prior to showtime.

When an event is sold out, we reserve the right to release open seats to customers on the waitlist. If you have a pre-purchased ticket and arrive late and there is no seat for you, your ticket will be refunded.

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