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Robert Bresson’s THE DEVIL, PROBABLY (1977)

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Robert Bresson’s THE DEVIL, PROBABLY (1977)

August 6, 2023 : 3:00 pm

“Even though Bresson has painted a dark picture of wasted youth and beauty, one comes out of the film with a sense of exultation. When a civilization can produce a work of art as perfectly achieved as this, it is hard to believe that there is no hope for it.” -Richard Roud

“Bresson was in his seventies when he made it and I’ll bet he’d never heard of punk, but it is by far the most punk movie ever made.” -Richard Hell

“Robert Bresson’s The Devil, Probably (1977) is a film about a smug, cunty rich-kid math whiz fuckboy who wants to die, its incredibly meager plot generously padded with stock footage of environmental catastrophes. It is also, objectively, the greatest film ever made.” -Nick Pinkerton

Constructed as a flashback from news reports of a young man’s suicide, Robert Bresson’s splenetic 1977 drama puts the post-1968 world on trial and judges it unlivable. Charles (Antoine Monnier), a quietly imperious sensualist of blazing intelligence, lives in a bare garret and does little but chase women. Essaying the gamut of modern pursuits—politics, religion, education, drugs, psychoanalysis—he finds them all pointless, and his despair is deepened by documentary footage of dire pollution which he watches at the home of an environmentalist (Henri de Maublanc), whose girlfriend he steals. Bresson’s chilling visions of daily life—including a brilliant sequence aboard a bus which depicts the mechanical world as a horror—suggest its hostility toward the passions of youth. The film offers a near-parody of the spiritual universe of Bresson’s earlier films: these children of the revolution tremble with uncertainty, and their loose gestures and shambling ways conflict with his precise images. Both the world and Bresson’s cinema are in disarray, and the signs of his inner conflict are deeply troubling and tremendously moving. (Richard Brody, New Yorker)

THEATER POLICIES

All seats are first-come, first-served.

The theater opens 30 minutes prior to showtime, except for “Happy Hour” events and pre-shows when the theater opens at the listed start time.

All ages are welcome at Arkadin except for Drinkolas Cage events, which are restricted to 21+. We follow the MPAA rating guidelines for all other films.

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