“[T]he first US feature directed by an ‘out’ Black lesbian, you can count on a single hand the number of films offering such an audacious subversion of the filmic gaze. The Watermelon Woman takes Black lesbians as its subject matter, but also – and most importantly – as a standpoint from which to challenge the basis of representation, history and how stories are told.” –Chrystel Oloukoï, BFI

Cheryl Dunye plays a version of herself in this witty, nimble landmark of New Queer Cinema. A video store clerk and fledgling filmmaker, Cheryl becomes obsessed with the “most beautiful mammy,” a character she sees in a 1930s movie. Determined to find out who the actress she knows only as the “Watermelon Woman” was and make her the subject of a documentary, she starts researching and is bowled over to discover that not only was Fae Richards (Lisa Marie Bronson) a fellow Philadelphian but also a lesbian. The project is not without drama as Cheryl’s singular focus causes friction between her and her friend Tamara (Valarie Walker) and as she begins to see parallels between Fae’s problematic relationship with a white director and her own budding romance with white Diana (fellow filmmaker Guinevere Turner). Winner of Best Feature Film at the Berlin International Film Festival.

This film is screening as part of Arkadin’s March-long spotlight on great films by female directors.