Microcinema in the heart of Bevo | 5228 Gravois Ave. | st. louis, mo 63116
“A mind-blowing haunted house... Directors Joaquín Cociña and Cristóbal León mingle classic European fairytales in a potpourri of magical notes laden in eeriness... In both concept and execution, The Wolf House will render you awestruck.” - Carlos Aguilar, TheWrap One…
CAN THEIR ADVENTURE INTO THE FUTURE CHANGE THE MISTAKES OF THE PAST? A spy satellite has malfunctioned and is going to crash into the Earth. The US government bring on line a power laser. When the laser strikes the satellite,…
“Framed by the hauntingly beautiful landscapes of the production, it leaves an indelible mark on the soul of the viewer.” - Dbcult The earliest surviving film by F. W. Murnau, JOURNEY INTO THE NIGHT provides a stunning showcase for the…
Attention St. Louis TASKMASTER fans! Our series finale watch party/Taskmaster STL competition returns on Thursday, June 11 when we’ll gather to watch series 21 come to a close, and YOU CAN BE A CONSTESTANT! Come catch the finale in the…
“A queer cult classic – and possibly more relevant than ever!” - Trill That’s just what this country needs: a cock in a frock on a rock! Get all dolled up for this beloved summer dragstravaganza from Down Under! Stephan Elliott’s…
Judging by THE SERPENT'S SKIN, you would never guess director Alice Maio Mackay is only 20. The wunderkind filmmaker from Australia returns with her sixth feature—maybe you caught T Blockers at Hysteria Fest 2024?—and this one may be her best…
"Genuinely subversive!" - Sight & Sound Tracy Turnblad has big dreams of dancing on TV and she's not going to 1960s conventional beauty standards get in her way. Overnight she becomes the queen of The Corny Collins Show and leads…
“IRONIC! RACY! STUPEFYING! That was one of our top 10 movies! used to watch It every year like families watch The Wizard of Oz” -John Waters In 1956, Frank Tashlin brought the talent for zany visual gags and absurdist pop-culture…
Todd Haynes may well be America's greatest living filmmaker, and POISON, his second feature (following his brilliant and controversial Karen Carpenter biopic Superstar, made with Barbie dolls), proves why. After winning the Grand Jury Prize at the 1991 Sundance Film…
“A black-and-white sci-fi retro-New York micro-budget completely absurdist independent comedy, which also manages to thoughtfully address the pain and confusion of sexual prejudice… Olnek has proven that she can make an important film without having to make a dramatic one.”…